Press

Review: Houston Symphony stages a different ‘Spring’

HOUSTON CHRONICLE
MAY 21, 2018
BY ERIC SKELLY

The Houston Symphony brought its 2017-18 subscription season to a close this past weekend with a program that offered a study in contrasts.

As heard in Jones Hall, the program offered a star guest soloist in two works by Mozart in a purist, traditional approach to performing classical music. But after the intermission, the shattering innovation of Stravinsky’s “The Rite of Spring” inspired the Houston Symphony to try some innovating of its own by way of employing multimedia to reinterpret Stravinsky’s audacious score. While the two approaches to performance were dramatically disparate, each proved apt for the works they sought to illuminate. Read more …

A Lullaby, a Caress: Yo-Yo Ma, Ax and Kavakos on Brahms

THE NEW YORK TIMES
FEBRUARY 21, 2018
BY DAVID ALLEN

Classical superstars have long come together to form chamber groups, and there is a particularly distinguished tradition of doing that for Brahms’s piano trios. Just scan the internet for Artur Rubinstein, Jascha Heifetz and Emanuel Feuermann, say, or Myra Hess, Isaac Stern and Pablo Casals. Sometimes celebrity players struggle to curb their egos for the intimacy of group work — but when they do, the results can be stunning. Read more …

Prom 74: Ax, Vienna Philharmonic, Tilson Thomas review – elegance without passion

Prom 74: Ax, Vienna Philharmonic, Tilson Thomas review – elegance without passion

THE ARTS DESK
SEPTEMBER 9, 2017
BY GAVIN DIXON

*Excerpt*

“I don’t know for sure, but I’m guessing that Emanuel Ax (pictured below) and Michael Tilson Thomas are long-time collaborators. An intuitive sense of communication between the two was evident throughout the Mozart 14th Piano Concerto, allowing the pianist to make some dramatic tempo and dynamic changes, at a moment’s notice, knowing that the orchestra would always keep step. Read more …

SSO with Emanuel Ax: mastery coupled with humanity

SSO with Emanuel Ax: mastery coupled with humanity

By Bernard Jacobson | The Seattle Times

When Emanuel Ax plays Brahms’ Second Piano Concerto, any participating orchestra’s principal cellist can expect to be accorded an equal place in the spotlight. It was heartwarming, at Benaroya Hall on Thursday evening, to observe the pianist’s insistent inclusion of Efe Baltacigil in his acceptance of the audience’s plaudits. Read more …

John Adams’ ‘Absolute Jest’ in San Francisco

John Adams’ ‘Absolute Jest’ in San Francisco

By Mark Swed | Los Angeles Times

When John Adams was a young composer and conductor in San Francisco in the early ’70s, he would often perform the experimental music of John Cage and other radicals, which was the hip thing to do at the time. But he has said that all that avant-garde business could leave him musically dissatisfied, and he’d go home and put on recordings of late Beethoven string quartets.
Read more …

Next Concerts

    January 21, 2020

    Philharmonic Society of Orange County

    Renée and Henry Segerstrom Concert Hall

    ALL-BEETHOVEN PROGRAM
    Bagatelle in A Minor, WoO 59, “Für Elise”
    Piano Sonata No. 2 in A Major, Op. 2, No. 2
    Six Variations on an Original Theme in F Major, Op. 34
    Piano Sonata No. 1 in F Minor, Op. 2, No. 1
    Five Variations on “Rule Britannia” in D Major
    Piano Sonata No. 3 in C Major, Op. 2, No. 3

    January 24, 2020

    Los Angeles Philharmonic

    Walt Disney Concert Hall

    with Nathalie Stutzmann, conductor

    BEETHOVEN: Piano Concerto No. 3 in C minor, Op. 37

     

    January 25, 2020

    Los Angeles Philharmonic

    Walt Disney Concert Hall

    with Nathalie Stutzmann, conductor

    BEETHOVEN: Piano Concerto No. 3 in C minor, Op. 37

    January 26, 2020

    Los Angeles Philharmonic

    Walt Disney Concert Hall

    with Nathalie Stutzmann, conductor

    BEETHOVEN: Piano Concerto No. 3 in C minor, Op. 37

    January 28, 2020

    Cal Poly Arts

    Harold Miossi Hall

    ALL-BEETHOVEN PROGRAM
    Bagatelle in A Minor, WoO 59, “Für Elise”
    Piano Sonata No. 2 in A Major, Op. 2, No. 2
    Six Variations on an Original Theme in F Major, Op. 34
    Piano Sonata No. 1 in F Minor, Op. 2, No. 1
    Five Variations on “Rule Britannia” in D Major
    Piano Sonata No. 3 in C Major, Op. 2, No. 3

    January 30, 2020

    Kansas City Symphony-Chamber Music

    Kauffman Center for the Performing Arts

    Emanuel Ax with members of the Kansas City Symphony

    MOZART: Quintet for Piano and Winds in E-flat Major, K. 452

    January 31, 2020

    Kansas City Symphony

    Kauffman Center for the Performing Arts

    with Michael Stern, conductor

    BEETHOVEN: Piano Concerto No. 1 in C major, Op. 15

    February 1, 2020

    Kansas City Symphony

    Kauffman Center for the Performing Arts

    with Michael Stern, conductor

    BEETHOVEN: Piano Concerto No. 1 in C major, Op. 15

NY Philharmonic

Artist-in-Residence: Emanuel Ax 2012/13.
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